How to give your artworks great titles.
Let’s play the name game.
If it’s one thing all artists have in common, it’s sitting down and putting some time toward picking titles for their art pieces. Where do you start? Should the title be funny or sad, poetic or nostalgic, laconic or wordy? Real and descriptive or off the wall and totally invented? Silly or philosophical? Simple or extravagant?
Titles can bring a new quality to an artwork that, without it, would be less interesting. A title can be connected to what you see literally, but it can be suggesting another story, other than what is depicted. Titles are a great way to add another layer to an art piece, without having to illustrate it on the piece itself. Conceptual pieces are typically very good at adding more dimension to a seemingly unimportant piece. If a well thought out title can contribute a story, it’s also possible for a title to “deflate” a good painting, making it a cliche.
Titles can make a huge difference in how viewers will interpret a painting, so take the time to try titles on a piece. A great way to do this is by going through song titles. One college portfolio student of ours, Zach, cleverly titled his painting that made viewers take a double take. It was a huge painting of items falling, among them cinder blocks and glass cups, on a dozen hands. What first comes to mind is what you literally see – a bunch of cinder blocks falling from the sky. That’s until you read the title, “Paranoid” which is the name to a popular Black Sabbath song. Everything changes – the items falling from the sky aren’t real. Titles are powerful accessory to any piece.
Another student of ours, Bob, was working on a series of self portraits. Bob said about the naming process, “I despise this game. It’s too superficial to search for word combinations to see if one of them sticks.” However, during the naming process of his series, he asked for help. One painting was of himself in a shirt with vertical stripes, so someone proposed “Prisoner.” Bob loved the title, responding with “I really am a prisoner – of my left brain.” To give some background on Bob, he’s a scientist and can be very meticulous. We now know a little more about Bob then what he looks like.
With both of these examples, you’ll see that artists don’t always know what they point of their series is at the time of creation. The art came first, and the title came second. People will ask artists, “where did you get this idea from?” Funnily enough, it sometimes comes after the painting is completed.
Picking a title for artwork is such a fun process, albeit time consuming. It’s definitely worth it, as you can see from the examples given how much of a difference it makes. Have some titles to paintings, but you’re not sure if they fit and you want to hear a second opinion? Bring them to the art critique! We host an art critique every second Thursday of the month at the studio. The more, the merrier! Because twenty heads are better than one.